The Lynx Aurora(n) is a revolutionary digital audio interface offering unparalleled audio quality and customisation options in a compact 1U format. Designed for modern studios, it sets a new industry standard in high-quality audio conversion.
The Lynx Aurora(n) is a revolutionary leap in digital audio conversion technology. Designed to meet the rigorous demands of modern studios, this interface offers unparalleled audio quality and customisation options in a compact 1U format.
Building upon the legacy of Lynx Studio Technology's original Aurora interface, the Aurora(n) sets a new industry standard for high-quality audio conversion. Its modular design and future-proof architecture make it an investment in your studio's sonic excellence.
The Aurora(n) features a unique LSlot design that allows for a range of upgradable modules.
The core of the Aurora(n) is its A/D D/A conversion capabilities. Each card provides 8 channels of analogue input and 8 channels of analogue output on DB25 connectors in Tascam format. You can install up to four of these cards to achieve a maximum of 32 inputs and 32 outputs.
This module offers four channels of microphone preamplification with high-quality A/D conversion. It is ideal for studios that require pristine microphone capture and the convenience of having mic preamps integrated into the same unit.
This module provides 16 input and 16 output channels of 24-bit AES/EBU digital audio, supporting sample rates from 44.1 kHz to 192 kHz. It uses two 25-pin female D-subs with a Yamaha digital I/O pinout.
This module provides 16 channels of ADAT optical I/O, supporting sample rates up to 48 kHz. It is a perfect solution for integrating the Aurora(n) into setups that already utilise ADAT technology.
The Aurora(n) features an LSlot design that allows you to swap out different connectivity cards. As of now, options include USB, Thunderbolt 3, Pro Tools HD, and Dante.
This is not an option card but a built-in feature that offers high-performance sample clock technology. It provides a significant reduction in jitter and ensures absolute accuracy. The word clock I/O provides one input and three outputs on BNC connectors.
The Aurora(n) boasts 24 Bit - 192 kHz mastering-grade A/D and D/A conversion, capturing and playing back every nuance of your audio with utmost fidelity. Whether recording, mixing, or mastering, the Aurora(n) delivers pristine audio quality.
The onboard 32-channel microSD recorder extends the Aurora(n)'s applications beyond the studio. For live sound engineers, it offers a straightforward solution for capturing performances. In the studio, it serves as a reliable backup, recording a duplicate of your session to safeguard against data loss.
Designed to fit seamlessly into any studio setup, the Aurora(n) offers swappable USB, Thunderbolt, ProTools®|HD, and DANTE cards. This ensures compatibility with virtually any DAW and operating system.
The Aurora(n) features a 1-in 3-out word clock with Lynx’s second-generation SynchroLock 2™ technology, ensuring ultra-low jitter and high stability. This makes it an essential tool for studios requiring precise synchronisation between multiple digital devices.
Designed and built in Southern California, each Aurora(n) unit undergoes rigorous quality control to meet the highest standards of performance and durability.
Each unit is custom configured and soak tested before shipping to ensure full operation. We are available to consult on configurations and provide quotes on lead times.
Analogue Section | Specifications |
---|---|
Line In (includes A/D Conversion) | |
THD+N | ‐113dB @1kHz |
Dynamic range | 119dB |
Frequency response | ±0.010dB, 20–20kHz |
Crosstalk | ‐130dB |
Common mode rejection | >80dB |
Full‐scale trim settings | +6dBV, 20dBu |
Line Out (includes D/A Conversion) | |
THD+N | ‐108dB @1kHz |
Dynamic range | 120dB |
Frequency response | ±0.025dB, 20–20kHz |
Crosstalk | ‐130dB |
Full‐scale trim settings | +6dBV, 20dBu |
Headphone Out (includes D/A Conversion) | |
THD+N | ‐107dB @1kHz |
Dynamic range | 120dB |
Frequency response | ±0.025dB, 20–20kHz |
Crosstalk | ‐120dB |
Output level | 18.4dBu |
Output power | Various depending on impedance |
LM4 Module Section | Specifications |
---|---|
Microphone Input (includes A/D conversion) | |
THD+N | -111dB @1kHz |
EIN | -129dBu A-weighted |
Dynamic Range | 116dB A‐weighted |
Frequency Response | +0.01 / -0.08dB, 20-20kHz |
Crosstalk | -127dB max. |
Common Mode Rejection | 75dB min. |
Full-scale Input Level for A/D | 28.7dBu |
Input impedance | 2.1k Ohm |
Gain Settings | 5.6dB/13.6dB to 68.6dB in 1dB steps |
Pad attenuation | 13.6dB |
High-pass Filter | 80Hz, 12 dB / octave |
Connector | Female XLR on Neutrik jack |
Line Input (includes A/D conversion) | |
THD+N | -113dB @1kHz |
Dynamic Range | 119dB A‐weighted |
Frequency response | ±0.010 dB, 20–20kHz |
Crosstalk | -138dB max. |
Common Mode Rejection | 75dB min. |
Full-scale Input Level for A/D | 20dBu |
Gain settings | Fixed |
Connector | Female XLR on Neutrik jack |
HI-Z input | |
THD+N | -109dB @1kHz |
EIN | -115dBu A-weighted |
Dynamic Range | 114dB A‐weighted |
Frequency Response | +0.01 / -0.05dB, 20-20kHz |
Crosstalk | -132dB max. |
Full-scale Input Level for A/D | 14.9dBu @5.6dB gain |
Input impedance | 1M Ohm unbal. (TS), 2M Ohm bal. (TRS) |
Gain Settings Fixed | 5.6dB/13.6dB to 68.6dB in 1dB steps |
Connector | TRS on Neutrik jack |
Optional LM-DIG Digital I/O Module | Specifications |
---|---|
Input and Output Channels | 16 input and 16 output channels of 24-bit AES/EBU |
Sample Rate Support | 44.1 kHz to 192 kHz |
Connectors | Two 25-pin female D-subs, Yamaha digital I/O pinout |
Whether you're seeking specific details about a product, or require advice on how it integrates with your existing setup, we're readily available to assist. Our team of specialists is on hand to help you make an informed decision.
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Email us now for tailored advice, bespoke quotations, and solutions that respect your budgetary considerations. sales@giraffeaudio.com