The Empirical Labs Distressor is an outboard compressor that has become an industry standard for good reason. With its unique feature set and warm, vintage sound, it caters to the modern desire for audio colouration. With over 38,000 units in use, it stands as one of the best-selling high-end compressors of all time, favoured by audio engineers globally.
Designed to fulfil multiple roles, from subtle dynamic control to creative sound shaping, the Distressor bridges the gap between vintage character and contemporary flexibility. Its wide-ranging capabilities make it a go-to solution for studios, live sound, and broadcast applications.
The Distressor boasts eight selectable compression curves, each meticulously designed to offer a distinct sonic signature. From the subtle 1:1 ratio that gently warms up the signal with low-order harmonics, to the aggressive "Nuke" setting that serves as a brick wall limiter, the Distressor provides unparalleled flexibility. The "Opto" setting mimics the smooth, natural compression of an optical compressor, ideal for vocals and acoustic instruments.
The Distressor's three selectable distortion modes offer additional colouration options. These modes are not mere emulations; they are intricate algorithms that capture the essence of vintage gear. Distort 2 mode provides tube-like 2nd order harmonics, ideal for adding warmth to vocals or bass. Distort 3, on the other hand, focuses on 3rd harmonics, simulating the saturation characteristics of analogue tape.
Inspired by a unique configuration on the classic UREI LN1176 limiter, the British Mode is an aggressive sound setting that alters the unit's attack and release characteristics. This mode can be applied to any of the ratios, offering a new envelope shape and a more pronounced knee, making it perfect for adding punch to drums or taming transient-heavy material.
For engineers requiring a stereo pair, the Distressor offers the Stereo Image Link feature. This ensures that both left and right channels receive identical compression, maintaining a cohesive and balanced stereo image. This is particularly useful for mastering or when processing stereo program material.
Feature | Specification |
---|---|
Frequency Response | 2 Hz to 160 kHz |
Dynamic Range | 110 dB in 1:1 mode |
Distortion | Ranges between .02% and 20% |
I/O | DC Coupled input and outputs |
Time Constants | Attack range 50uS – 50mS, Release range .05 sec to 3.5 seconds |
Power Consumption | 15 Watts Max |
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